FROM ‘MARA, MARIETTA’
̶ That’s Ganesha, Jagrati says, the Lord of Beginnings and Remover of Obstacles!
The boy studies the multi-armed god with the elephant head, depicted in gold and green on the side panel of a bookcase. I’d like a new beginning, he thinks, I’d like a helping hand. Still, he can’t imagine himself praying to such a creature. He steps to the bookcase and takes from a shelf the first volume of poetry he sees: Rabindranath Tagore, ‘Selected Poems’. On the cover, in the centre, intense eyes stare at something outside the photo frame—or are they staring inward? Despite the beard, the finesse of the man’s fine-boned features is striking. To his left, an English boy with a wide-eyed gaze; to his right, an elegant Indian man. This will be my book of prayer, the boy says to himself.
̶ That’s Tagore, Jagrati says, pointing to the bearded man. He’s a saint in Bengal.
The boy can’t take his eyes off the poet; everything about him combines to convey a mesmerizing power: The gentleness in his long hands, resting on his lap; the robe that falls wide-sleeved from his shoulders, reinforcing the impression of quiet pride and dignity; the concentrated calm in his eyes. Jagrati is intrigued by her friend’s fascination; she remains quiet, close by his side. That man beside Tagore could be my father, the boy thinks. He feels a bittersweet pleasure as he realizes the English boy in the picture looks perfectly at home. Gently from his thoughts Jagrati brings him back to her: The touch of her lips on his cheek, warm and petal-soft, blurs his vision as tears well up. She takes the book from his hands.